Lady gaga: using her voice to have her message heard

the beginning

Lady Gaga, born Stefani Joanne Angelina Germanotta in 1986 in New York City, is a Grammy and Oscar-winning singer, songwriter, actress, and activist. Rising to fame with her 2008 debut album The Fame, she quickly became known for her powerhouse vocals, genre-blending music, and boundary-pushing visuals. Beyond her artistic achievements, Gaga has used her platform to champion LGBTQ+ rights, mental health awareness, and women's empowerment, cementing her legacy as both a pop icon and a cultural force.

Impact on women in music

Lady Gaga has redefined what it means to be a woman in the music industry. In a space long dominated by male producers and executives, she has consistently fought for creative control over her image, sound, and message. Her refusal to conform to traditional standards of femininity, whether through her avant-garde fashion or unfiltered vulnerability, has challenged the industry to value authenticity over appearance. Gaga has spoken openly about misogyny, trauma, and the pressure to please, empowering countless female artists to embrace their full selves without compromise. She has not just opened doors; she’s torn down walls, proving that women can lead, innovate, and revolutionize pop music on their own terms.

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“Don’t you ever let a soul in the world tell you that you can’t be exactly who you are.”

— Lady Gaga

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Advocating for the lgbtq+ community

Gaga’s influence on LGBTQ+ culture is profound and personal. With anthems like Born This Way, she gave queer people around the world a sense of belonging, celebrating identity and self-love in a way few mainstream artists had done before. Her Born This Way Foundation focuses on mental health and youth empowerment, often centering LGBTQ+ voices. Gaga doesn’t just support the community, she's part of it, openly identifying as bisexual and consistently using her platform to fight for equality, representation, and safe spaces. Her bold fashion, theatrical performances, and unapologetic self-expression have made her a global symbol of queer resilience and creativity.

Veruca salt: redefining female power in 90s rock

A lasting impact:

Veruca Salt in an alternative rock band formed in Chicago in the early ‘90’s, known for their gritty, melodic sound and empowering female-fronted lineup. Led by Louise Post and Nina Gordon, their breakthrough hit “Seether” became a defining anthem of the era. With their mix of grunge, power pop, and raw emotion, Veruca Salt influenced a generation of female musicians and played a pivotal role in shaping the 90s alt-rock scene.

Shaping their sound:

Veruca Salt developed their signature sound by blending elements of grunge, power pop, alt-rock, creating a dynamic mix of heavy guitar riffs and melodic, often harmonized vocals. Their sound was shaped by the raw energy of the grunge movement, popularized by bands like Nirvana and Soundgarden, while also embracing the more catchy, melodic structures of pop and indie rock. Their breakthrough hit, “Seether,” from their debut album American Thighs (1994), propelled them into the mainstream, earning the band a gold record and widespread recognition. Their follow-up album, Eight arms to Hold You (1997), featured the iconic single “Volcano Girls” and solidified their place in rock history.

Paving the way for women in the music industry:

Nina Gordon and Louise Post were both vocal about their experiences as women in the music industry, particularly in a time when the rock scene was very male-dominated, and voices for women were needed most. They've spoken about how their music was often viewed through the lens of gender, with critics focusing more on their roles as women rather than as musicians. Gordon, in interviews, has expressed that as women in the '90s alternative rock scene, they faced challenges with being taken seriously, but she also noted that it created an empowering environment where they could prove their worth through their talent. She has spoken about the importance of maintaining authenticity and not being pigeonholed into the expectations of female performers at the time.

Post has also shared her thoughts on the dynamics of being a woman in a predominantly male industry, saying that while it was tough at times, it was crucial for women to find their own voice and not just fit into a mold. She's been outspoken about the need for greater representation of women in the rock genre and has emphasized the importance of supporting each other in an often competitive and judgmental space. Both have also been advocates for breaking down stereotypes about female musicians and for creating more opportunities for women to take leadership roles in the industry.

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Timeless Magic: Stevie Nicks

Stevie Nicks is a singer, songwriter, and member of the band Fleetwood Mac who is considered a female icon of rock music during the 1970s. With her ethereal voice, bohemian style, and poetic lyricism she has paved the way for many female rock artists.

Nicks rose to fame in the mid-1970s after joining Fleetwood Mac alongside her then-partner Lindsay Buckingham. The band’s self-titled album, which was released in 1975, marked the beginning of a new era in rock music. However, it was in 1977 with the release of Rumors that made them rock legends. This album is filled with emotional tension and personal drama that can be felt both through the music and lyrics. Some of the most popular songs that Nicks contributed to the group are “Dreams” and “Landslide.” These songs touch on personal struggles that Nicks had been dealing with at the time. Her smooth vocals truly accentuate the themes that are explored in these pieces of music.

Her solo career began in 1981 with the release of Bella Donna which was a massive commercial success that debuted at No.1 on the Billboard 200. From this, the song “Edge of Seventeen” and her collaborations with Tom Petty and Don Henley became hits that showcase her range and songwriting skills.

With Nicks’ commanding stage presence and unapologetic femininity, she broke barriers for women who wanted to be taken seriously as rock artists in this male-dominated genre. Nicks promoted vulnerability and strength during a time when women in music often ended up in background roles or were expected to conform to narrow expectations. Her success redefined what it meant to be a woman in rock, challenging the notion that rock is all about being aggressive or overly masculine.

Stevie Nicks performing the “Edge of Seventeen.”

Redefining Pop: Billie Eilish

Billie Eilish is one of the most influential artists of this generation as she continues to refuse to conform to traditional expectations. Since her breakthrough in 2015, she has reshaped the music industry through her unique sound, and distinct aesthetic, and by challenging industry norms. Eilish has since played a major role in paving the way for a new era of female artists.

Eilish’s debut album, When We All Fall Asleep Where Do We Go?, defied the norms of a polished, formulaic pop sound in 2019 with its whispery vocals, dark themes, and minimalistic production. While she was gaining some traction before this release, this album truly solidified her talent and artistry. It highlights her unique aesthetic and irresistible authenticity, bringing her to the top of the industry. This became the start of Eilish’s influence on younger female artists.

Apart from her music, Eilish sheds light on mental health by being open about depression, anxiety, and self-doubt. These themes, which were once taboo in the world of pop music, are key to Eilish’s lyrics. Her openness to these subjects allows her fans to connect with her on a deeper, more personal level. Eilish' continues to act as a voice for those who often feel that they are unable to express their feelings

At just 18 years old she became the youngest artist to sweep the major categories at the Grammys in 2020. She won Album of the Year, Record of the Year, Song of the Year, and Best New Artist. She later won an Academy Award for her song “No Time To Die,” making her the youngest Oscar winner in history. Eilish has opened the doors for many female artists, proving that they don’t need to conform to industry standards in order to become successful. She continues to inspire people to unapologetically be themselves. Through her music, personal style, and advocacy she has changed the way women are viewed and treated as artists.

Billie Eilish performing her song “Wildflower” from her most recent album Hit Me Hard and Soft.

Allie Sandt: honoring stevie nicks

Emerging NJ-based folk-rock artist Allie Sandt is carving her own path in the indie scene. At just 22 years old she has made her mark with “complex and entrancing originals that mix folk, blues, and jazz together” (New Haven Independent) while finding her home onstage telling stories and joking with audiences throughout the northeast. Her singles “The Flood,” “The Right Time,” and “Ace” are a testament to her modern take on retro influences, with a satisfying balance between guitar-focused songwriting and her tongue-in-cheek storytelling.

Why this

song?

Landslide was one of the first songs I ever played live. I remember I covered it when I was in eighth grade at my first real “gig” at a community center in Ridgewood, NJ and over the years my version has changed a lot as a result of playing it at almost all of my cover gigs. With lyrics like “Even children get older/ And I'm gettin' older, too,” this song holds a special place in my heart.

Q: Are there any other female artists who have significantly shaped your musical style?

A: Absolutely! I discovered Joni Mitchell my sophomore year of high school when I first started

writing songs and she was a huge north star for my early days of writing. Nowadays, I listen to

Madison Cunningham, Chappell Roan, Sarah Gross, and Yebba to name a few.

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Q: Did you approach this cover differently than your original music?

A: I did. While I usually spend months arranging and producing my original music as well as adding

a lot of instruments and sounds, I took a much more stripped back approach with Landslide. It

was the first time I recorded my guitar and vocals live– meaning I played and sang at the same

time and did the full song in one take to a little Tascam recorder. Later I added some harmonies

but the basis of the song is live! It was a fun challenge and I’ve always wanted to release

something acoustic.

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Q: What emotions or messages do you hope to convey through your version of the song?

A: While Stevie Nicks famously wrote this about her relationship with Lindsay Buckingham, I hope

the voice in mine can be directed towards a younger version of ourselves. The way our dreams

change and grow as we change and grow is so interesting to me. “I’ve been afraid of changing,

cause I’ve built my life around you” can also be about the fear of going in new directions and

leaving behind what isn’t serving us anymore.

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Q: What advice would you give to young women looking to make their mark in the music industry?

A: To my peers, I would say we need to stick together. Even now, this is such a male-dominated

industry. When I was in a touring band in college, my fellow singer Ali McQueeney and I were

often the only women in three-band lineups. It’s so important to uplift other female musicians

because representation is truly everything for women of all ages in the industry. When I see

someone older than me able to make a career out of playing the guitar, it is still so validating

and inspiring. Just do you as authentically as you can and people will listen.

Redefining R&B: Roberta Flack

Roberta Flack was an American singer, songwriter, and pianist whose music transcended the genre of R&B as she blended soul, funk, jazz, and R&B with emotional complexity and depth. Born on February 10th, 1937, she was exposed to music at a very young age through classical piano. She received a music scholarship to Howard University at just 15 years old, making her one of the youngest students ever admitted to a university.

Flack broke through in the music scene during the 1970s, around the time she released her debut album, First Take. This album features the song, “The First Time I Ever Saw Your Face,” which won her first Grammy for Record of the Year. This is no surprise as Flack has a way of beautifully and effortlessly conveying deep emotion through her voice and music. This is especially apparent in her hit song “Killing Me Softly” which was later covered by the Fugees in the ‘90s. This track won her a second Grammy for Record of the Year in 1974, making her the first artist to achieve that.

Her collaborations with Donny Hathaway are monumental in the world of R&B. The blend of their musical knowledge, style, and skill creates a smooth and emotional sound. Some of their most iconic duets include “Where is the Love” and “The Closer I Get To You.” This collaboration only advanced Flack’s career and status as a master of storytelling. Flack’s artistry is defined by her effortless fusion of genres and her ability to make people feel deeply when listening to her music. With songs like “Feel Like Making Love” and “For All We Know,” listeners truly feel the emotions that are woven into the music and lyrics.

Roberta Flack has influenced many musicians and continues to do so through her compositions.

Cory Blair and Teen idle: A Twist on a Classic

On March 21st, Shore Points Records released a Girls Only Compilation Album that highlights female and non-binary artists from the independent music scene. Among these tracks is a reimagined cover of Lady Gaga’s song “Bad Romance” by New Jersey-based artists Cory Blair and Teen Idle.

Both of these artists bring a distinct creative perspective to the project. Cory Blair, a multi-instrumentalist, producer, and songwriter based in Asbury Park, blends indie-fold story-telling with experimental textures, producing atmospheric soundscapes. On the other hand, Sara Abdelbarry, a singer-songwriter and multi-instrumentalist who goes by the name Teen Idle, blends rock influences with dreamy arrangements. Together, these two created an entirely new version of “Bad Romance” that encapsulates raw emotion and intricate instrumentation. This project highlights the duo’s ability to reinvent pop songs through an alternative lens.

In a recent interview, the two talked about the inspiration for their cover and what they hope to convey through it:

Q: What made you choose this particular song and artist to cover?

A: After reflecting on who the most iconic women in pop music are, we toyed around with covering Britney Spears, Gwen Stefani, and Madonna, but after deliberating, Gaga was the clear choice. Even though Sara and I both have diverse musical influences, Gaga was an early inspiration for both of us when we were young. It was tough to choose one of her songs, given how large her discography is, but we kept coming back to Bad Romance. We didn't want to recreate her sound, but wanted to respect her artistry by reimagining the song in a powerful way in our own right.

Q: How has this artist influenced your own music and creative journey?

A: “It was kind of earth-shattering for me, listening to Gaga for the first time. I remember feeling ashamed of listening to her so much, I didn’t know I was a little art freak yet. I wasn't ready to come out as a queer person. I was playing the piano and just beginning to sing at that time, about age 14. The Fame left a big impact on my early songwriting.” -Cory

“I remember being obsessed with the idea of pop stardom since I was 6 years old. Whenever I’d come home from school in the 2nd grade, I’d run across the street to my neighbor Adam’s house so we could sit in front of the TV and watch MTV music videos. For as long as I can remember, I wanted to become a pop songwriter and felt from a young age that I wanted to become a superstar of some sort. When I was old enough to really reflect on these ideas, Lady Gaga came and shook up my whole world. Not only were her pop hooks really infectious, but something about the way she is unabashedly herself really resonated with me as a weird kid who didn’t really fit in during middle and high school. Gaga was and is a formative influence on my artistry. She embodies everything an artist should be, and is also such a sincere, family-oriented, good person which is what I always hope to be.” - Sara

Q: Do you remember the first time you heard this song? What impact did it have on you?

A: “I heard it on the radio. I felt like I couldn't stop hearing the song. It was like an anthem. I didn't know what club music was yet. But I knew it made me want to move! I realized later how my queerness as a teenager was shaped by Gaga’s music and the widespread impact she had on all of her fans leading up to Born This Way and beyond. Gaga was able to pull from art history, high fashion, cinema, dance etc., and bring out a collective freedom of expression that gave people permission to be themselves. I knew I felt myself when I was listening.” - Cory

“There are certain songs throughout my childhood and teenage years that just transport me to a really specific place even when I hear them now. I think ‘Bad Romance’ is one of them because I distinctly remember the craze of the song slowly overtaking my middle school and being played at all the dances. I was 11 when that song came out, and I just remember being wholly absorbed in its melody and freakiness. It just felt so comforting to listen to, and now reflecting on Lady Gaga’s tendency to create a space for those without a voice, I could see why, since I was going through some bullying at the time in middle school and having a hard time.” - Sara

Q: Did you approach this cover differently than your original music?

A: For both of us, we wanted to challenge ourselves to see how far we could go and produce, engineer, arrange, and mix this cover song ourselves. We both have a strong musical ear, but we wanted to see how far we could take the arrangement and if we could reimagine the song in a way that honors Lady Gaga’s original song but brings our own flair and heart to it, playing with genre and instrumentation. In this way, our arrangement was more thought out than perhaps the way we approach making demos for our own songs, which is more stream of consciousness.

Q: Were there any unique challenges in translating the original artist’s style into your own?

A: Through doing this cover, making the arrangement was probably the trickiest but funnest part. This was mostly because our vision for the song was extremely different than the original, both tempo-wise, genre-wise, vocally, and with instrumentation. One funny and completely unintentional challenge was that once we translated the song into the version we imagined, a more slowed-down country-inspired ballad, the song ended up being 8 minutes long. Figuring out how to shorten the length obviously became challenging — we had to figure out what we could rearrange and take out while not removing super essential parts of the song.

Q: What emotions or messages do you hope to convey through your version of the song?

A: The depth of desire, lust, and love, crush energy, southern twang, kind of a breeze of Appalachia, and cross-country romance.

Q: Are there any other female artists who have significantly shaped your musical style?

A: “So many countless figures: Lucinda Williams, St. Vincent, SOPHIE, Cate Le Bon, Cassandra Jenkins, Gwen Stefani, Pauline Oliveros, Suzanne Ciani, Kaitlyn Aurelia Smith, Adrianne Lenker, Erykah Badu, Lauryn Hill. Many of them are genre-defying, continuously challenging themselves and evolving with their music.” - Cory

“So many. The first pop star I ever became obsessed with was Gwen Stefani, but after that period, there have been so many more influences, people I look at as trailblazers and movers and shakers. Some of these artists are St. Vincent, Mannequin Pussy, Japanese Breakfast, Caroline Polachek, Shania Twain, Angel Olsen, and Victoria Legrand from Beach House.

Q: If you could collaborate with any influential woman in music, past or present, who would it be and why?

A: “It would have to be Suzanne Ciani. She opened up an incredible world of sonic possibility not only as a masterful solo artist but as one of the early pioneers of electronic music. I first heard Suzannie Ciani on YouTube and it set me on a path to discovering my voice through electronic synthesis.” - Cory

“Probably around a year and a half ago, I discovered this very underrated older Egyptian artist named Maha. I found her through this Berlin-based label Habibi Funk, which reissues all of these lost and rare albums by Arab, North African, and Middle Eastern artists throughout the decades. They re-released her album, which came out I believe, in the ‘70s in Cairo but never really gained any traction. Discovering Maha shattered my world, between her voice and sonic arrangements, so I’d definitely pick her.” - Sara

BTS of Cory Blair and Teen Idle making their cover of “Bad Romance” by Lady Gaga.

They also shed light on the role of women in the music industry and the challenges that they typically face:

Q: How do you see the legacy of women in music evolving today?

A: We hope that more badass women and femmes just keep taking over the industry and shaking it up even more and more. We’d love to see more and more women recording engineers, producers, and beyond, and help create and be part of a space where this becomes more normalized and celebrated.

Q: What challenges do you think women in music still face today, and how can the industry support them better?

A: “Women, trans, and non-binary artists are just generally underrepresented and heavily criticized, on top of being overly sexualized. It’s not that there aren’t enough opportunities out there, it's just that promoters, venues, and event curators could do more to represent a more diverse selection of artists and actively seek out collaborations to develop unique events.” - Cory

“I definitely think the status of women in the industry is much different than it was years or decades ago, but there’s still certain issues that still exist and maybe always will. Even though there’s more representation of women in bands and behind the scenes, women artists can still be heavily criticized or represented unfairly. I read a newspaper review of an artist I admire’s new album, and the critic sort of tore her to shreds for no reason, but my guess is because her new musical direction didn’t seem to fit what he expected of her or saw her as. It was sad to read, and I think as us women start to get more and more into positions like producer or engineer, we will face criticism from people not used to us being in such roles. The sheer shortage of women engineers and producers is an issue in itself.” - Sara

Q: What does Women's History Month mean to you as an artist?

A: “It means persisting and standing up for what I believe in, following in the footsteps of Assata Shakur, Harriet Tubman, Marsha Johnson, and Shireen Abu Akleh. Having a voice and doing something with it. Pushing myself in a good way to perform more, put myself outside of my comfort zone, and create with other artists continuing a legacy of collective liberation for the oppressed and underrepresented.” - Cory

“I think it just means reflecting on the musical traditions that came before us, whether those are indigenous musical traditions or the women in music that paved the way for us to be able to write music, release it, and be taken seriously. So many incredible women have contributed to shaping the current state of the industry for women, one in much better shape than it was decades ago, that it would be difficult to name them.” - Sara

Q: What advice would you give to young women looking to make their mark in the music industry?

A: “Listen, develop, and continue to create at all costs. Learn by doing and lead by example. As an artist who does so much on my own and by myself, I always ask myself what serves the vision best. Try not to be too hard on yourself, enjoy the creative process, but remember that it is a sacred process and your work is like a harbor, you choose who comes in, who does not. You choose what comes in and what goes out. Don't compromise on your vision, be compassionate and support each other, continue to ask questions, remember that you are the artist and you are the one who must assert your message, no one else can do that for you.” - Cory

“The biggest advice I have to give is to trust your instinct and don’t let anyone try to convince you otherwise. If your gut is giving you positive or negative feelings, it’s probably correct whether those feelings are about a potential opportunity, artistic decision, or a person. Women and young women especially, are often taken advantage of by more seasoned people in the industry who want to take advantage of them or micromanage their careers, so the most valuable asset you could have is having a strong sense of self and knowing when and when not to engage with an opportunity, person, or experience based on a mix of your emotions and aspirations.” - Sara

Keep up with them on Instagram!

@coryblair.music

@teenidlemusic

The Slow Circuit: Reimagining a 90’s Classic for Women’s History Month

Asbury Park’s dark electro-pop band, The Slow Circuit, is known for crafting immersive soundscapes that push genre boundaries. On March 21, they released a reimagined cover as part of the Girls Only compilation album, offering a fresh take on a song from a completely different musical world.

Choosing the Right Song

“We’ve always liked the song and the band,” they explain. “Covering something outside our genre allowed us to have fun transforming it into something uniquely ours.” Their goal was to breathe new life into a track that wasn’t overly mainstream but still carried a sense of nostalgia and coolness.

A Lifelong Influence

While The Slow Circuit’s music leans into dark electronic tones, the band acknowledges the lasting impact of female-fronted alternative rock bands on their creative journey. “We’ve always appreciated those artists, and while it’s not the genre we write or perform now, we still draw inspiration from their vocal delivery, lyricism, and visual aesthetics.”

Reimagining a Childhood Favorite

The song choice wasn’t just random—it was something ingrained in their early musical memories. “We all just knew this song from when we were kids and thought it had a good hook.” By reshaping the track with their own sonic textures, they hope to introduce a new emotional depth to the lyrics and offer listeners a fresh perspective.

The Slow Circuit hopes to see more recognition for women beyond the pop sphere. “There are still disparities in recognition and opportunities for women songwriters, producers, engineers, and executives. The industry needs to create more equitable access and opportunities across all positions.”

The Creative Process

Despite working with a song outside their usual genre, The Slow Circuit approached this cover as they would any of their originals. “We wanted to make it our own,” they say. The biggest challenge? Translating a guitar-heavy track into their synth-driven style. “We don’t use a guitar player live, so we had to reinterpret the energy and structure.”

Looking to the Future

When asked about dream collaborations, The Slow Circuit leans toward Charli XCX. “She’s fun,” they say. As for advice to young women in the music industry? “We WISH we had advice to give.”

Support the Slow Circuit by clicking the social media icons below!

Asha Sydney Honors Roberta Flack with a Soulful Cover

This Friday, March 21st, singer-songwriter and producer Asha Sydney will share her heartfelt rendition of Roberta Flack’s Feel Like Makin’ Love, a track featured on Shore Points Records’ Girls Only Compilation Album.

Asha, raised in Silver Spring, Maryland, has been immersed in music since childhood. She started singing in church, released her first EP in high school, and continued to refine her craft while majoring in music production at Rider University in New Jersey. Now based in New York City and pursuing a master’s degree at Columbia, she dreams of making music her full-time career.

Honoring Roberta Flack’s Legacy

When selecting a song to cover, Asha wanted to pay tribute to a legendary Black female artist. Reflecting on Roberta Flack’s recent passing, she saw the perfect opportunity to honor her legacy with Feel Like Makin’ Love.

“Roberta Flack is just a name that I have always heard listed amongst some of the greats when people talk about music. Her duet with Donny Hathaway, The Closer I Get To You, will always be one of my favorite songs,” Asha shares. “A couple years ago, I purchased her Killing Me Softly vinyl, and listening to it is just such a beautiful experience.”

Asha doesn’t remember the first time she heard Feel Like Makin’ Love—it’s one of those timeless songs that has always existed in her musical memory. She approached the cover with great care, acknowledging the weight of Flack’s influence while ensuring her own artistry shined through.

Asha’s musical influences span across genres, with powerful women like Jazmine Sullivan, Nai Palm, Clairo, Kelela, and Erykah Badu shaping her sound. She admires the increasing presence of women in the music industry, particularly within the independent scene, where emerging female artists and producers are forging their own paths.

But challenges persist. “Oversexualization and not being taken seriously,” she notes. “Women have to be good at everything while men have to be decent at like one or two things.” She believes the industry must do better by truly listening to and respecting women in music.

A Personal Take on a Timeless Classic

Covering Feel Like Makin’ Love was a different creative process for Asha compared to her original music. She wanted to honor the essence of the song while bringing her own perspective to it. “D’Angelo’s cover of this song is my favorite, so I tried not to get in my head about comparisons,” she explains. “I just wanted my version to feel as sweet and tender as the original.”

Looking to the Future

As we celebrate Women’s History Month, Asha is excited about highlighting the contributions of women in all spaces, especially music. If given the opportunity to collaborate with any artist, past or present, she names Cleo Sol as a dream collaboration. “She may not be as famous as some of my other influences, but she’s been incredibly influential to me.”

Asha’s advice to young women looking to make their mark in the music industry is simple: “Never stop making music. You never know which songs your people are going to like, and you never know how the songs you write will grow on you over time.”

With her heartfelt tribute to Roberta Flack, Asha Sydney continues to carve her own path, bringing warmth and soul to everything she creates. Be sure to check out her cover this Friday and celebrate the incredible women shaping the sounds of today and tomorrow.

Find Asha Sydney wherever you listen to music and on social media here!

Artist Spotlight: Liv Bec – Power, Passion, and Rebellion

We’re thrilled to feature Liv Bec, a dynamic artist from New Jersey, on our upcoming compilation album, Girls Only, releasing on March 22nd. Made up of Olivia Bec, Evan Alfano, and James Martorana, Liv Bec combines raw energy with explosive sound, led by Olivia’s unique vocals. Drawing influences from Wolf Alice, Badflower, and AFI, they’ve created a sound that’s both fresh and familiar.

Why Billie Eilish’s "bury a friend"?

Olivia chose to cover Billie Eilish’s "bury a friend" because of Billie’s ability to genre-shift. “Billie Eilish makes music that can genre shift, which is such a hard thing to accomplish,” Olivia explains. After hearing a rock version of the song, Olivia knew she had to put her own spin on it. Liv Bec’s rendition keeps the haunting essence of the original while adding their signature explosive sound.

The Influence of Billie Eilish

Billie Eilish has been a major inspiration for Olivia. “Billie Eilish made me believe that a female artist could succeed on her own terms,” she says. Billie’s ability to retain control over her music and career while breaking industry norms empowered Olivia to do the same.

Olivia was struck by the dark energy in "bury a friend", initially interpreting it as a commentary on the music industry’s slimy underbelly. “It was eye-opening to look at the industry from this perspective,” she shares.

Women’s Power in Music

Olivia sees the legacy of women in music evolving toward more freedom, power, and volume. “There’s more revenge, more power, more freedom,” she says. She points to artists like Lola Young for inspiring authenticity and strength in songwriting.

Challenges Women Still Face

Olivia acknowledges the biases female artists, especially in hip-hop, still face. “Female rappers get dodged by cis male listeners every day, sometimes subconsciously,” she notes. The industry needs to work harder to recognize and support women in all genres.

If Olivia could collaborate with anyone, it would be P!nk. “She knows how to convey power in a song,” Olivia says. The tension and surprise P!nk brings to her songwriting is something Olivia admires and aspires to emulate.

We’re excited to have Liv Bec on She Rocks and can’t wait for you to hear their incredible cover of Billie Eilish’s "bury a friend". The album drops on March 22nd, so don’t miss out on this powerful collection of women’s voices! Stay tuned for way to support women this month through this release and don’t forget to check Liv Bec out here!

Girls Only Comp: Polaroid Fade

Polaroid Fade is an indie band from South Jersey whose music is a captivating blend of old-school new-wave and contemporary alternative rock. Their sound has an 80’s vibe that immediately transports their listeners to a warm, sunny day on the boardwalk. Nicoletta’s expressive, dreamy vocals and Tyler’s intricate guitar work help accentuate their ability to craft luscious melodies, setting the background of atmospheric guitar arrangements. Especially in tracks like “Delancey” and “Bliss,” their nostalgic and youthful feel shines through. With the recent release of their debut album ‘Chaos Into Poetry,” their fanbase has steadily been growing while they continue to tour around the northeast.

For our Girls Only Compilation Album coming out on March 21st, Polaroid Fade will be performing a cover of the Sundays.

Nicoletta, the band’s lead singer and songwriter, finds ample inspiration in the Sundays and their lead singer, Harriet Wheeler.

“The Sundays have always been a band that we’ve adored, so we knew exactly who to cover for this compilation album. Here’s Where The Story Ends is just one of those songs that when you hear it instantly puts you in a good head space.”

— Nicoletta

This admiration is beautifully demonstrated in Polaroid Fade’s music, whether it be through their choice of tone or uplifting melodies. In an interview, Nicoletta dives deeper into this inspiration:

Q: How has this artist influenced your own music and creative journey?

A: Honestly, when I started writing songs, I set out to write Sundays-ish songs because as a 14-year-old at the time it was all I could really reference to define my sound. I used Harriet Wheeler's voice as a template to find my voice and their chord shapes to define our guitar sound. It’s developed since then but I think you can still hear them in everything we do. They are influenced by The Smiths, so the evolution just works, haha!

Q: Do you remember the first time you heard this song? What impact did it have on you?

A: I don’t remember the first time I heard this song, but I can confidently say that every time I hear it I feel nothing but bliss. It brings me complete happiness and quite frankly I have never been sad while listening to it!

Q: Are there any other female artists who have significantly shaped your musical style?

A: Absolutely! Elizabeth Fraser from Cocteau Twins, Juliana Hatfield, Karen Peris from The Innocence Mission, Kristin Hersh from Throwing Muses, Debby Harry, and the list goes on! Such empowering women within the dream pop/indie genre!

Q: Did you approach this cover differently than your original music?

A: Not at all! We take heavy inspiration from this song, and a lot of what we do is directly influenced by them. This cover was almost more of an homage than a cover. We just love the Sundays too much haha!

Q: Were there any unique challenges in translating the original artist’s style into your own?

A: Nope! We’re really inspired by everything the Sundays have done, and ever since we’ve started writing, and honestly a little before, we knew the Sundays would be a prominent influence in our music.

Q: What emotions or messages do you hope to convey through your version of the song?

A: We hope our version makes you feel the way the original makes us feel, total happiness. We also hope that if you like the Sundays you’ll appreciate our take and give our original music a chance.

Polaroid Fade’s song “Bliss”!

Nicoletta also shares her perspective as a woman starting in the music industry:

Q: What does Women's History Month mean to you as an artist?

A: Women’s History Month is all about the empowerment and strength of all women. But also to shine a light upon all of the women who risked everything for our rights and to enforce gender equality.

Q: What advice would you give to young women looking to make their mark in the music industry?

A: Stay true to yourself and make music that inspires YOU. Know who you are and never let anyone tell you differently. Believe in yourself as well. You are capable of anything that you put your mind to.

Q: If you could collaborate with any influential woman in music, past or present, who would it be and why?

A: Harriet Wheeler of the Sundays. I idolize her. Her vocals, her mannerisms, her vocabulary.. everything! My obsession is completely unhealthy. She is also a good example of rebellion against the mainstream. She fell off the face of the earth in 1997 and nobody really knows where she is or how she’s doing.

Q: What challenges do you think women in music still face today, and how can the industry support them better?

A: Without getting into specifics, I think there will always be challenges for women in music, and society in general. But I do believe there are less and less thanks to the many women who have come before us.

Artist Spotlight: The Sundays

The Sundays were an influential British indie pop band formed in the late 1980s, known for their dreamy sound and introspective lyrics. At the heart of their distinct style was lead vocalist Harriet Wheeler, whose ethereal yet emotionally powerful voice became a defining feature of the band's music. Wheeler’s soft yet expressive delivery set The Sundays apart, influencing countless alternative and indie artists who followed. Her contributions not only elevated the band's sound but also carved out space for more introspective female voices in alternative rock, reinforcing the power of subtlety and vulnerability in music during a time when louder, grunge-driven styles dominated the scene.

In 1993, The Sundays performed a memorable live show in Seattle, where they blended this signature guitar sound, dreamy melodies, and Harriet Wheeler's seamless vocals. The performance came during the tour for their album Blind, which expanded their sound with richer textures and more introspective themes. Fans in Seattle were able to experience an intimate yet powerful set, with Wheeler’s voice floating over the band’s shimmering guitar lines. The Sundays' ability to translate their studio sound into a captivating live performance left a lasting impression, solidifying their status as one of the era's most influential alternative acts. This performance remains a standout moment for fans who cherish their unique presence in the indie music scene.

Polaroid Fade, a rising indie band known for their nostalgic yet fresh sound, will be performing a cover of The Sundays' classic song "Here's Where the Story Ends” on our Girls Only Compilation Album coming out on March 21st. Deeply inspired by The Sundays' dreamy melodies and Harriet Wheeler's captivating vocals, Polaroid Fade aims to honor the original while adding their own unique touch. The band's love for The Sundays stems from the group's ability to blend introspective storytelling with lush, atmospheric soundscapes — a quality that heavily influences Polaroid Fade's own music. Their upcoming cover is a heartfelt tribute to a band that has left a lasting mark on indie music history.

As The Sun Sets Earlier, Bittr King Gets Brighter.

Bittr King (aka DJ Blood Cousin/Juliet Gresh) is a multifaceted artist, composer, and producer hailing from New York City. Now based in New Jersey, Juliet creates under the alias Bittr King, diving deep into experimental electronic music that unflinchingly tackles themes of violence, grief, and temerity.

Bittr King's cover of "Hannah Sun" by Lomelda is a poignant contribution to the Local Summer Compilation Album, reflecting a personal re-connection with the song after moving from upstate New York. Juliet explains, “Travel in the context of this song is a vehicle for self-conservation; exploring the world in the name of love, while ultimately holding yourself miles away, is safety.”

Lomelda, the musical project of Texas-based singer-songwriter Hannah Read, is known for her introspective and emotionally rich songwriting. Drawing on folk and indie influences, Lomelda’s work often explores themes of distance, connection, and the complexities of human emotion. "Hannah Sun," a standout track from her 2020 album Hannah, exemplifies her ability to convey deep emotional narratives through sparse yet impactful instrumentation and lyrics, which resonated strongly with Juliet during a time of personal transition.

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The Kindness Brought by Out Like Lambs.

We may not know much about Out Like Lambs, but there's one thing we're certain of—this band's dedication to honoring underground icon David Berman, frontman of the Silver Jews, is nothing short of inspiring. Their haunting cover of *The Wild Kindness* is a testament to Berman's enduring influence, and it resonates deeply with those who have found solace in his music.

For the uninitiated, Silver Jews was formed in the late '80s by David Berman alongside his friends Stephen Malkmus and Bob Nastanovich of Pavement. Though often associated with the lo-fi indie rock scene of the time, Silver Jews carved out their own niche, marked by Berman's distinct voice and literary lyricism. His songs, tinged with wit, melancholy, and stark poetic imagery, earned him a devoted following. Albums like *American Water* (1998) and *Bright Flight* (2001) became cult classics, embodying the introspective beauty that set Berman apart as one of the era’s most unique songwriters.

Check out a live video of Silver Jews performing The Wild Kindness live many years ago.

Tragically, Berman passed away in 2019, leaving behind a legacy that still resonates within the underground music scene. His work continues to influence artists today, and Out Like Lambs' choice to cover *The Wild Kindness* is a heartfelt tribute to a musician who captured so much raw emotion in his songs.

As local summer winds down and the crisp autumn air begins to roll in along the Jersey shore, we invite you to put on your headphones and take a walk along the coast while listening to Out Like Lambs' rendition of this classic track. It’s a perfect soundtrack for introspection, echoing the subtle beauty of Berman's poetic lyricism.

Out Like Lambs remains shrouded in mystery, and perhaps that's part of their allure. There's something refreshing about a band that lets the music speak for itself, refusing to be defined by labels or backstories. So, in a world of overexposure, we’re content letting Out Like Lambs remain enigmatic, while their music continues to draw us in.

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Celebrate The Blood Moon With Kennedy Shaw.

Kennedy Shaw has been a cherished collaborator and close friend of the label for several years, consistently bringing her unique sound and energy to every project. So, when she approached us with the idea of covering Josiah and the Bonnevilles' “Blood Moon” and releasing it on the night of the actual blood moon, we couldn’t pass up the opportunity. Now, this cover can also be found on our Local Summer Compilation Album, so make sure you stream the whole album in it’s entirety to get the full “local summer” effect.

Josiah and the Bonnevilles, led by singer-songwriter Josiah Leming, are known for their deeply personal and raw songwriting, blending folk, Americana, and indie influences. Hailing from Tennessee, Josiah’s music is grounded in emotion, often exploring themes of heartbreak, longing, and the human experience. The band’s work has garnered a dedicated following for its earnestness and authenticity, with *Blood Moon* standing out as one of their emotionally charged ballads, telling the story of a sad, reflective lover.

Kennedy’s rendition of *Blood Moon* draws you deep into the heart of the song’s melancholic narrative—of a lonely, lovesick soul—yet her voice has a way of making those lonesome lyrics feel a little less isolating, especially as you gaze up at the celestial event tonight.

Over the last few years, we’ve had the pleasure of watching Kennedy's artistic journey evolve. While her roots in pop rock are undeniable, her recent embrace of a more folk-infused, down-to-earth style has truly showcased the depth of her talent. Kennedy’s newfound connection to her inner South Jersey farm girl has led her into an era of music that feels both timeless and fresh.

As the earth experiences its rare two-moon phenomenon, we believe Kennedy’s musical career is similarly entering an extraordinary phase—one where she shines brighter than ever.

Celebrate the blood moon tonight by listening to Kennedy’s heartfelt version of *Blood Moon* and let her words guide you through this beautiful cosmic moment.

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Learn more about Kennedy Shaw!

Rock n Roll with Lightheaded.

In the spirit of Local Summer and rock 'n' roll, we’re excited to highlight Lightheaded, a New Jersey-based pop group who covered The Velvet Underground's "Rock & Roll" for our Local Summer Cover Compilation.

Lightheaded’s music is full of melody, harmony, and bittersweet charm. Sara Abdelbarry’s punchy Gretsch lead blends perfectly with Stephen Stec’s Rickenbacker chime, while Cynthia Rittenbach’s Hofner Violin bass grounds their sound with warmth. Together, their songwriting channels influences like Big Star and The Aislers Set, mixing jangling guitars with timeless pop hooks.

Cynthia and Stephen have a knack for writing timeless pop songs, drawing from a deep well of musical inspiration. Cynthia, often seen in her Gene Clark tee, is an admirer of Dusty Springfield, The Aislers Set, and Joan Jett. Stephen, on the other hand, finds his muse in bands like Big Star, The Clientele, and The Go-Betweens. Together, their sound channels the best of pop and rock history, weaving in the magic of bands like The Aislers Set and Belle & Sebastian.

When asked why they chose to cover "Rock & Roll," the band responded with their signature quirky humor:
"We love the music that rocks and rolls, and we love rocking and rolling ourselves. It’s all about having fun, like playing Rock Band with friends!"

Originally released in 1970 on Loaded, The Velvet Underground’s "Rock & Roll" was written by Lou Reed as a tribute to the life-changing power of music. The song tells the story of a young girl whose life is transformed by rock 'n' roll, reflecting Reed’s own connection to music as a source of freedom.

Lightheaded’s version honors the track’s legacy while adding their own fresh twist. With their infectious energy and knack for melody, they breathe new life into this classic anthem. Keep an eye on Lightheaded – they’re a band to watch!

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Learn more about Lightheaded !

Ain’t No Summertime Blues When The Modbeat’s Are Around.

As we carry on the spirit of Local Summer, we’re shining the spotlight on The Modbeats—an NJ-based rock ‘n’ roll band that, despite forming in late 2023, have been living and breathing music their entire lives. Inspired by legends like The Beatles, Bob Dylan, and many other greats, it’s no wonder they chose to cover Eddie Cochran’s timeless anthem, Summertime Blues.

The Modbeats feel like a band straight out of the iconic 60s Top of the Pops era—jangly guitars, infectious melodies, and the kind of vibrant energy you could imagine watching on a black-and-white screen back in the day. But what makes them stand out is how they’ve transported that classic sound into the mainstream of today. Their music captures the timeless essence of rock ‘n’ roll while resonating with modern audiences, creating an exciting blend of nostalgia and fresh creativity.

Eddie Cochran, a pioneering figure in early rock ‘n’ roll, was known for blending rockabilly with the youthful energy of the late 1950s. His breakout hit Summertime Blues was released in 1958 and quickly became an anthem for teenage rebellion, expressing the frustrations of youth with a blend of humor and sincerity. The song’s iconic riff and catchy chorus have earned it a lasting place in rock history, inspiring generations of musicians—including the likes of The Who and Blue Cheer, who famously covered it.

In Summer 2024, The Modbeats made their debut with Ballad of a Starving Artist b/w Rocking Chair, released through Mayleen Records. Their name represents a perfect blend of Mod and Modernist influences, merging seamlessly with the irresistible beat of rock ‘n’ roll.

With three more A/B side singles planned, the band is set to make waves ahead of their anticipated self-titled LP. Stay tuned as The Modbeats continue their journey of crafting modern rock tunes rooted in the classics, proving that great music truly stands the test of time.

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Learn more about The Modbeats

Operants Is TOO Nice To Tell You To Get F’d and F Off.

It’s still local summer until we say so, and we aren’t going anywhere anytime soon. Up next in our Local Summer Compilation Album blog highlights is Operants, a garage rock band hailing from Toms River, NJ. These guys have been lurking the beaches of Seaside Park long enough to be molded by it – and yes, the water in Toms River might be suspect, but maybe that’s what gives them their edge. Operants are built different.

One of the most exciting things about this band is their versatility. Every song they release has a distinct flavor, pulling from each member’s wide array of influences. What really sets them apart is their approach to songwriting and vocals. No single band member shoulders the burden of crafting their songs, and no one person dominates on vocals. In fact, they all hate singing so much that they believe it’s only fair that everyone gets a turn. The result? An unpredictable, ever-evolving sound that feels as varied as the seasons along the Jersey Shore.

When asked why they chose to cover “Am I Ever Gonna See Your Face Again” by The Angels for the Local Summer Compilation, their response was as tongue-in-cheek as you’d expect: “It’s a year-round Australian hit for rockers since it’s summer here when it’s winter there, and it’s winter here when it’s summer there. Also, their toilets flush the other way around.”

The Angels, an iconic Australian rock band, first formed in 1974, emerging as one of the key players in the country's burgeoning pub rock scene. Known for their high-energy live performances and powerful, guitar-driven sound, they have influenced countless bands across the globe. Their music often bridged classic hard rock with a punk-like rawness, earning them a loyal fanbase both in Australia and abroad.

Their 1976 track “Am I Ever Gonna See Your Face Again” became one of their most well-known songs, despite its somewhat unusual history. Originally a slow ballad, the song evolved into a raucous anthem when fans began responding with a now-famous call-and-response chant during live performances. Every time the band sang the titular line, fans would shout, “No way, get fed, f off!” What started as a spontaneous crowd reaction turned into an integral part of the song’s identity, making it a unique cultural phenomenon in Australia.

Though the song began as a reflection on lost love, its transformation into an Aussie rock anthem has allowed it to endure across decades. And thanks to Operants, it's now made its way to the Jersey Shore.

In short, Operants are a band that refuses to be boxed in. They’re gritty, they’re eclectic, and they thrive on unpredictability. Keep an eye on them — they’re bound to make waves long after the summer sun fades.

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Learn more about Operants!

Polaroid Fade is Dreaming……

As part of the Local Summer Cover Compilation Album, Polaroid Fade breathes new life into Blondie’s Dreaming, paying homage to the original while infusing it with their unique '80s-inspired new wave and alt-rock sound. Fronted by the charismatic Nicoletta, their rendition is rich in nostalgia but distinctly modern. The cover draws on their love for vintage sounds while maintaining the high-energy vibes that make Polaroid Fade stand out in today’s scene.

Nicoletta from Polaroid Fade quoted, “we chose this song because who wouldn’t want to be Debbie Harry for 3 minutes!?! She’s fearless, she’s beautiful and basically was and is a female icon of 70’s punk and post punk.”

Along with the release of the cover, Polaroid Fade has also dropped a brand-new music video to accompany it. The video echoes the minimalistic aesthetic of Blondie’s original, but with a contemporary twist that showcases the band's personality and energy. Nicoletta's frontwoman presence is magnetic, while Tyler's guitar riffs add a modern edge. The visual serves as the perfect complement to the song, taking viewers back in time while firmly planting the band in the present.

Dreaming was released in September 1979 as the lead single from Blondie’s fourth studio album, Eat to the Beat. Written by Debbie Harry and Chris Stein, the song epitomized the band's ability to fuse new wave with pop, creating a catchy yet reflective sound.

Some interpret the song as exploring themes of disillusionment and the tension between dreams and reality, while others see it as a joyful ode to daydreaming and escapism.

Musically, Dreaming is driven by Clem Burke's frenetic drumming, inspired by Keith Moon of The Who, which gives the song its relentless pace. Stein's shimmering guitar complements Harry’s ethereal vocals, creating a perfect balance between energy and dreaminess.

Though Dreaming didn’t achieve the same chart-topping success as earlier hits, it remains a fan favorite and a testament to Blondie's musical and visual artistry, often featured in their live performances.

Enjoy this live version of Blondie performing Dreaming in Asbury Park, NJ at Convention Hall on 1979!

Don't miss out on catching this cover live! Polaroid Fade will be performing this Friday, September 6th, at our Local Summer Celebration Show at the Asbury Park Brewery. Come out and join us for a night of rock, fun, and summer vibes!

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Learn more about Polaroid Fade!

Meteor Police, Rock Lobsters, & Intergalactic Interactions

You thought the buzz around LOCAL SUMMER had reached its peak with the compilation album release? Think again! When Meteor Police got the chance to cover the B-52s' "Rock Lobster," their excitement was palpable, and we couldn’t have been more thrilled to give them the green light.

Since their formation in the spring of 2021, Ocean County's Meteor Police has been defying easy categorization with their unique blend of rock influences. Drawing comparisons to DC indie rock icons like Q and Not U and The Dismemberment Plan, as well as mainstream alt-rockers such as Jane’s Addiction and The Pixies, Meteor Police stands out by melding complex song structures with a driving rhythm section. Their debut album NEW TYPE DESTROYER and the Halloween-themed EP Hallowtide Hymns both showcase their talent for creating intricate, melodically rich tunes that are as biting as they are poetic.

For this compilation, the band took on the challenge of reimagining "Rock Lobster," a quintessential surf rock anthem that seemed to perfectly capture the spirit of summer. The decision to cover the track wasn’t just about its sunny vibe—though that certainly played a role.

The band was also drawn to the song’s playful and experimental nature, which they saw as a canvas for their own creative spin. Rumor has it that someone even claimed Shawn's voice had a hint of a more irate Fred Schneider, adding another layer of intrigue to the choice.

The result of Meteor Police’s efforts is "Rock(et) Lobster," a reworked version of the original that blends their signature sound with the infectious fun of the classic. Expect a refreshing take that both pays homage to the B-52s and showcases Meteor Police’s knack for inventive reimaginings.

The lore behind the making of this song is just as eclectic as the song itself. The lyrics describe a surreal beach party where a rock lobster and other strange sea creatures appear, leading to a chaotic and humorous scene. The song’s imagery and nonsensical elements are meant to evoke a sense of fun and playfulness, and it reflects the B-52’s penchant for offbeat and imaginative themes.

The B-52’s wrote “Rock Lobster” during their early days as a band, drawing inspiration from their love of quirky pop culture and their desire to create something unique and entertaining. The band members—Fred Schneider, Cindy Wilson, Kate Pierson, and Keith Strickland—collaborated on the song, combining their eclectic influences and sense of humor. The track’s distinctive sound is partly due to the band's use of unconventional instruments and vocal styles, which helped establish their signature aesthetic.

The song’s success helped the B-52’s gain attention and laid the groundwork for their future as a prominent band in the new wave movement. Its playful, imaginative quality continues to make it a favorite among fans and a staple of their live performances.

Don't miss out on catching this cover live! Meteor Police will be performing "Rock(et) Lobster" this Friday, September 6th, at our Local Summer Celebration Show at the Asbury Park Brewery. Come out and join us for a night of rock, fun, and summer vibes!

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Learn more about Meteor Police!